Opaque watercolour painting of the red-complexioned, four-armed and magnificently attired Sūrya. He stands in samabhanga on a low dais at the centre of an oval frame. He carries in each of his upper hands a dagger, while his lower right hand is in abhaya and his lower left in varada mudra....
Colour lithograph, lettered, inscribed and numbered 4 depicting a scene from the Mahabharata. Bhisma is lying on a bed of arrows with Arjuna standing next to him with bow drawn and pointed at earth to bring out water for Bhisma, who is pierced by numerous arrows.
Painting illustrating the death of Kṛṣṇa and the Pandavas visiting the dying Bhishma from the epic Razmnameh. Originally from manuscript Bhishma lies in the centre of the scene surrounded immediately by kneeling attendants, while warriors and horsemen stand in the near distance amidst a rocky lan...
Painting, in opaque watercolour and gold on paper,illustration to the Razm-nama (a Persian translation of the Mahabharata), the last hours of Bhisma. He lies on a bed of arrows discoursing to Yudhisthira.
Artist: 'Ali, Husain
Painted in opaque watercolour and gold on paper
When Did We First Celebrate Makar Sankranti?
By Raj Vedam
Swarajya - Jan 13, 2017
The widespread celebration of the Makar Sankranti festival and its many regional variations hint great antiquity. In this article, we will take a journey through time, weaving together history, astronomy, c...
Winged Shaivite? figure riding composite bull, opaque watercolour and gold on paper, Murshidabad, ca. 1760
Painting, in opaque watercolour and gold on paper, a Shaivite figure with angel's wings and pale white skin, with a cobra entwined on either arm, riding a composite bull, made up of hares, ...
Photograph from the Elgin Collection: 'Autumn Tour 1895. Vol II' of the pavilion with the monolithic bull Nandi in the Brihadishvara Temple complex at Thanjavur, taken by Nicholas and Company in the 1890s. The Brihadishvara Temple built by the Chola ki...
Garuda, the 'vahana' of Vishnu, returning with the vase of Amrita, which he had stolen from the gods in order to free his mother from Kadru, mother of serpents. The 'vahana' is the animal mount or vehicle of a Hindu god or goddess.
ca. 1820 - ca. 1825
Gouache on watermarked pa...
The shrine of Vishnu in the form of Viraraghavaswami, reclining on the serpent of eternity, the form in which he is worhipped at the shrine of Tiravallur in Chingleput district. To the right stands Lakshmi and to the left a Vaishnava priest.
ca. 1820 - ca. 1825
Gouache on wate...
Gouache on watermarked paper
Trichinopoly, ca. 1825
Vishnu as Vaikuntha-natha seated on the coils of the serpent Sesha between his two shaktis, Shri and Bhumi Devi; a third, Nila Devi, supports his right foot. From a series of 100 drawings of Hindu deities created in South India...
Shrine at Haripur, North West Frontier Province, Pakistan - 1865
Photograph of a small shrine at Haripur, North West Frontier Province, Pakistan, taken by an unknown photographer in the 1860s. This temple has two cat-like stone figures guarding the steps. The town of Haripur was founded in 1822 ...
Temple at Shivganga in the Salt Range of the Punjab, now in Pakistan - 1860
Pencil drawing of a temple at Shivganga in the Salt Range of the Punjab, now in Pakistan, by Sir Henry Yule, dated March 1860. The image is inscribed on the front in pencil: 'Ancient Buddhist portion of a Temple at Sheog...