Entry into Lahore from the Parade Ground, Panjab - 1847
Plate 9 from "Recollections of India. Part 1. British India and the Punjab" by James Duffield Harding (1797-1863) after Charles Stewart Hardinge (1822-1894), the eldest son of the first Viscount Hardinge, the Governor General. This depicts ...
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Plate 6 from "Recollections of India. Part 2. Kashmir and the Alpine Punjab" by James Duffield Harding (1797-1863) after Charles Stewart Hardinge (1822-1894), the eldest son of the first Viscount Hardinge, the Governor General. This depicts the hill fort of Gulab ...
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The signing of the Treaty of Bhairowal, Punjab on 26 December 1846.
Unusually, this painting illustrates an historical event - the signing of the treaty between the Sikh rulers of the Punjab and the British following the first Anglo-Sikh war (1845-46).
Painted on paper.
Pahari School
Kangra ...
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Vishnu as The Universal Form, watercolour on paper, early 19th century, Jaipur.
This striking painting shows the blue-skinned Hindu god Vishnu in his form as the Universal Form or Vishvarupa, which means 'all forms'. The small figures painted on his body refer to his role as encompassing all of ...
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A procession with six elephants drawing a fantastic carriage with a tent-like top, in the distance a view of Mysore.
Hand-coloured lithograph
Print made by: C King
Published by: Thomas McLean
London
Muhammad Adil Shah of Bijapur and his African Prime Minister Ikhlas Khan
Bijapur 1650-1675
Watercolor
Opaque watercolor and gold on paper; border: paper embossed with gold
The House of Bijapur
Painting by Kamal Muhammad and Chand Muhammad (active 1680s)
Illustrated album leaf
ca. 1680
Deccan, Bijapur
Ink, opaque watercolor, gold, and silver on paper
Painted Cloth (Pichwai) Depicting the Celebration of the Festival of Cows
Late 18th–early 19th century
Deccan, India
Painted and printed gold and silver leaf, opaque watercolor on indigo-dyed cotton
Copy of painting in the caves of Ajanta by Robert Gill, oil on canvas, 1850-1854, India.
This is a copy of a painting in cave 1 at Ajanta. The white patches cover fragile areas that require conservation work. The Ajanta cave paintings are the oldest surviving examples of painting in India. They ...
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Painting of Robert Gill at the caves of Ajanta, by William Simpson, watercolour on paper, India, 1862.
This painting depicts fellow artist Major Robert Gill (1804-79) copying wall-paintings inside the Buddhist Vihara (monastic) cave at Ajanta. In 1846 the Royal Asiatic Society had commissioned G...
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Buddha on the threshold of renunciation
By Nandalal Bose
Illustration from the book:
Footfalls of Indian history
By The Sister Nivedita (aka Margaret E. Noble)
Published by Longmans, Green & Co., London - 1915
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Coloured aquatint of a panorama of Surat in three parts by Alfred Robert Freebairn (1794-1846) after Thomas Postans and dated 1830. Situated on a bend in the river Tapti, Surat was an important Mughal trading port from the late 16th to the late 18th centuries. In 1615 Si...
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Plate twenty-seven from the first volume of James Forbes'"Oriental Memoirs", a work in the form of a series of letters richly illustrated, describing various aspects of nature, people and buildings he met with during his travels in India in the 1760s-70s. ...
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View of Wassortah by Baron A Friedel in London in 1833.
Coloured lithograph of a view of Vasota by A. Picken after an original drawing by Baron A Friedel (fl.1833). Plate 8 of 'Eight Most Splendid Views of India, sketched by an Officer in the Indian Army' printed by Baron A Friedel in London in ...
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The Ghats from Byghur by Baron A Friedel, London, 1833.
Proof copy of a lithograph of 'The Ghats from Byghur' from an original drawing by Baron Adam Friedel. Plate 2 of 'Eight Most Splendid Views of India, sketched by an Officer in the Indian Army' printed by Baron A Friedel in London in 1833.