Eastern gate of the Jummah Musjid at Delhi, by Thomas Daniell, print, aquatint, 1795, London.
This depicts one of the entrances to the Jami Masjid, with steps leading up to an imposing gateway. There is a procession with elephants in the foreground.
This is one of a set of twenty-four print...
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Watercolour by William Daniell R.A., depicting Anopshur, a large castle-like structure serving as a military station. India, ca. 1789.
Watercolour depicting Anopshur, a large castle-like structure serving as a military station or fortress. It is situated on the top of a cliff and people riding...
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Thomas Daniell. 'Ruins of the Palace at Madura [The Palace of Tirumulla Nayak]'.
Watercolour
This drawing was formerly attributed to William Hodges.
It s the preliminary drawing made by Thomas Daniell for the aquatint by the same artist in 'Oriental Scenery' published by T and W Daniell,...
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36 years old Thomas Daniell and his nephew William, a lad of sixteen, sailed out from Gravesend in April 1785, destined for the East where they were to spend the next eight years. Of humble origins, they arrived in Calcutta via China early in seventeen eighty-six, looking for wealthy patrons, and...
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The waterfall at Papanasam, Madras; view looking up the river Tambrapani, with steep, rocky and wooded banks, in foreground to right, two figures.
Watercolour, over graphite.
The Tambrapani is a sacred river and devout Hindus immerse themselves in the water below the falls; "Papanasam" means ...
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Plate 6 from the fourth set of Thomas and William Daniell's 'Oriental Scenery,' which they called 'Twenty-four Landscapes.' The views progress northwards from the far south at Cape Comorin to Srinagar in Garhwal in the Himalaya mountains. This south...
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Plate 1 from the fourth set of Thomas and William Daniell's 'Oriental Scenery,' which they called 'Twenty-four Landscapes.' The views progress northwards from the far south at Cape Comorin to Srinagar in Garhwal in the Himalaya mountains. 'This view...', ...
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Plate 1 from the first set of Thomas Daniell's 'Oriental Scenery.' The Jami Masjid of Delhi, the largest mosque in India, was built between 1644 and 1658, as the principal religious monument of the new capital of the Mughal emperor Shah Jahan, e...
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New Book:
Daniells’ India | Always twilight
Scenes from 18th century India seen through the eyes of two English traveller-painters
By Somak Ghoshal
Mint, 8 June 2013
Like hundreds of their countrymen, when Thomas and William Daniell, uncle and nephew, landed in Calcutta in 1786 from the far shor...
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The Chalees Satoon in the Fort of Allahabad on the River Jumna - 1795
Plate 6 from the first set of Thomas Daniell's 'Oriental Scenery.' Of all the British artists who went to India in the 18th and 19th Centuries, it is Thomas and William Daniell who are the best known. Their work gives us a v...
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Plate 16 of 'Hindoo Excavations in the Mountain of Ellora near Aurangabad,' engraved by Thomas Daniell after the drawings of his deceased friend James Wales, which Daniell regarded as the sixth set of his 'Oriental Scenery.' This cave was started as a Buddhist monastery, but in the 8th Century wa...
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Panwell Bunder by Charles Harcourt Chambers, painting, watercolour on paper, India, 1824-28
This painting depicts a road leading inland from the sea. There are camels on the road. In the distance is a landscape, sea and ships. Bullocks sit under the trees in the foreground.
Painting; watercolour, Houses and temple, Calcutta, ca. 1825
By a Calcutta artist, perhaps originally from Murshidabad.
The pictures made by Indian artists for the British in India are called Company paintings. Lieutenant-Colonel Gilbert, later Lieutenant-General Sir Walter Raleigh Gilbert,...
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A physician's wife and family in a carriage drawn by a camel ridden by a servant: suggesting the social importance of the physician, India
Coloured lithograph by F. Jones after Captain G.F. Atkinson.
Published: Day & Son, lithographers to the Queen