Raja Balwant Singh revering Krishna and Radha
Attributed to Nainsukh
(active ca. 1735–78)
ca. 1745–50
Jasrota, Himachal Pradesh
Opaque watercolor, ink, silver and gold on paper
In this intensely personal image of a devotee, Balwant Singh stands in veneration of a vision of Krishna and Radha ent...
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Article:
Visions of Indian Art
By William Dalrymple
The New York Review of Books - June 2013
One morning in 1740, a thin young man could be seen heading down the steep cobbled road leading from the Kashmir Gate of the Punjabi hilltown of Guler, and making for the banks of the fast-running river...
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“Thakur Dawlat Singh Among Courtiers”
India, Delhi; c. 1825
Miniature: 27.6 × 38.5 cm
European influence on Indian painting was tangible from the 16th century, but at the end of the 18th, it became even more pronounced. French and British tradesmen and civil servants commissioned work directly f...
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An important gem-set gold Navratna Pendant from the Treasury of Tipu Sultan, The Tiger of Mysore (1750-99), Mysore (Seringapatam), late 18th Century
Octagonal, set with a large central cushion flat back cabochon Columbian emerald, within a border of topaz, blue sapphire, zircon, cat's eye, ruby,...
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Krishna protecting the shepherds from the vengence of Indra, who threatened to drown them for forsaking his worship and adoring Krishna.
Drawing in black ink on European watermarked paper. Kṛṣṇa holding Mount Govardhana aloft over the gopas and gopis (male and female cowherders) of Vrindavan, an...
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Vishnu Chaturmurti
Karkota period - 8th to 9th century AD
Kashmir
Sculptural representations of Vishnu Chaturmurti exist throughout northern India but is most characteristic of the Kashmir region where it assumed a prominent position in the Hindu pantheon.
Vishnu in his four-fold aspect, Chatur...
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A sandstone figural relief of Surya
Central India, 10th/11th Century
The solar deity standing in a frontal hieratic pose with both hands raised and holding a stylized blossoms, a small figure of his consort standing between his boots and accompanied by his two sons Shani and Yama standing on the...
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Gouache and ink painting from an album of 26 depicting scenes of Hindu mythology in a variety of painting styles. Viṣṇu is riding his vehicle Garuda. In each of Viṣṇu's four hands he carries an attribute associated with the god: a conch, a chakra (wheel), a lotus flower and a mace.
Comprising a necklace, bracelet and brooch; the frontispiece of the necklace comprising a series of green glass set pearshaped and oval plaques, suspending three pearshaped drops, all depicting scenes of wildlife amongst foliage, including peacock...
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Maharaja Man Singh of Jodhpur (1804-1843) seated in discussion with a Marwari prince on a palace terrace, both figures dressed in fiery orange jamas and turbans, officers standing to the right, an attendant holding a gauri in the background.
Jodhpur, circa 1840
Gouache and gold on paper, red bor...
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Kunvar Sri Kisan in darbar with ministers and secretaries
Jodhpur, Marwar, circa 1740
Opaque watercolor and gold on card; verso with identification inscription in black nagari script: 'Sri Kisan'; The kunvar (prince) kneels on a small yellow rug, supported by a large bolster, wearing a tall, ora...
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