Painting, in opaque watercolour and gold on paper,illustration to the Razm-nama (a Persian translation of the Mahabharata), the last hours of Bhisma. He lies on a bed of arrows discoursing to Yudhisthira.
Mughal
1598 ca.
Artist: 'Ali, Husain
Painted in opaque watercolour and gold on paper
Pen-and-ink and wash by George Chinnery of an Indian villager with a bullock, dated between 1808 and 1822. Inscribed on front in ink is: 'Hindoo Costume from Nature. Chinnery.'
India has the largest number of cows and buffaloes in the world. Cows are regarded as sacred by the Hindus and are a sy...
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Winged Shaivite? figure riding composite bull, opaque watercolour and gold on paper, Murshidabad, ca. 1760
Painting, in opaque watercolour and gold on paper, a Shaivite figure with angel's wings and pale white skin, with a cobra entwined on either arm, riding a composite bull, made up of hares, ...
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Running youths holding the tails of a humped bull and a winged lion - Fragments of railing copings from the Great Stupa of Amaravati - 1853
Wash drawing by Murugesa Moodaliar of fragments of railing copings from the Great Stupa of Amaravati. This is one of 42 sheets (89 drawings) depicting sculp...
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Plate 22 from the second set of Thomas and William Daniell's 'Oriental Scenery'. The Brihadishvara Temple at Thanjavur is the greatest temple of the Chola period. It was patronised by Rajaraja I around AD 1000-10. The pavilion represented in the print was ...
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Garuda, the 'vahana' of Vishnu, returning with the vase of Amrita, which he had stolen from the gods in order to free his mother from Kadru, mother of serpents. The 'vahana' is the animal mount or vehicle of a Hindu god or goddess.
Tiruchchirappalli
ca. 1820 - ca. 1825
Gouache on watermarked pa...
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The shrine of Vishnu in the form of Viraraghavaswami, reclining on the serpent of eternity, the form in which he is worhipped at the shrine of Tiravallur in Chingleput district. To the right stands Lakshmi and to the left a Vaishnava priest.
Tiruchchirappalli
ca. 1820 - ca. 1825
Gouache on wate...
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Painting
Gouache on watermarked paper
Trichinopoly, ca. 1825
Vishnu as Vaikuntha-natha seated on the coils of the serpent Sesha between his two shaktis, Shri and Bhumi Devi; a third, Nila Devi, supports his right foot. From a series of 100 drawings of Hindu deities created in South India...
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Rites and Beliefs of the Hindus
Illustration depicting Sub-castes
Faizabad - ca. 1774
Gentil Manuscripts, Col J B J Gentil, Faizabad, ca. 1774.
Gentil lived for twenty-five years in India, spending eleven of them at the court of Shuja-ud-daula. He carried from India among other things an atlas ...
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Mother Mary and Child Christ
Mid 18th century, late Mughal, Muhammad Shah period
A masterpiece on a widely different theme foreign to Indian painters, the miniature represents mother Mary with child Jesus in her lap and a number of persons around. They include a bearded tall male in long saffron...
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Painting by Manohar (active ca. 1582–1624)
early 17th century
Mughal
During Akbar’s reign, numerous Christian subjects were copied by Indian artists working from the illustrated Bibles, prints, and paintings that were brought to the Mughal court by Jesui...
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‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the East India Company. They represent a fusion of traditiona...
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A woman with flowers possibly celebrating the Vasant Panchimi festival
Lucknow
ca.1815 - ca. 1820
Watercolour
Inscription:
'Ponchumee'
‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the East Indi...
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‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the East India Company. They represent a fusio...
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Inscription:
'A Mussulmanee Worshipping. Sijdee Meekoonud'
‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the...
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