A Picturesque Tour Along the Rivers Ganges and Jumna in India : Consisting of Twenty-four Highly Finished and Colored Views…From Original Drawings Made on the Spot
By Lieutenant-Colonel Charles Ramus Forrest
Published by R. Ackermann, London - 1824
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A Picturesque Tour Along the Rivers Ganges and Jumna in India : Consisting of Twenty-four Highly Finished and Colored Views…From Original Drawings Made on the Spot
By Lieutenant-Colonel Charles Ramus Forrest
Published by R. Ackermann, London - 1824
Read More
A Picturesque Tour Along the Rivers Ganges and Jumna in India : Consisting of Twenty-four Highly Finished and Colored Views…From Original Drawings Made on the Spot
By Lieutenant-Colonel Charles Ramus Forrest
Published by R. Ackermann, London - 1824
Read More
A Picturesque Tour Along the Rivers Ganges and Jumna in India : Consisting of Twenty-four Highly Finished and Colored Views…From Original Drawings Made on the Spot
By Lieutenant-Colonel Charles Ramus Forrest
Published by R. Ackermann, London - 1824
Read More
A Picturesque Tour Along the Rivers Ganges and Jumna in India : Consisting of Twenty-four Highly Finished and Colored Views…From Original Drawings Made on the Spot
By Lieutenant-Colonel Charles Ramus Forrest
Published by R. Ackermann, London - 1824
Read More
Durga holding the infant Krishna (Deva Gostha)
ca. 1885–95
India
Durga is seen here in her maternal aspect, offering the infant Krishna sweets from a bowl. The divine pair sit on her lion vehicle (vahana) set on marble paved floor and against a golden aureole (prabha) which has forest lan...
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A SCENE FROM A BHAVAGATA PURANA: MATSYA PREPARING TO SLAY SHANKHASURA
Kashmir, 19th century
Opaque watercolor, gold, and silver on paper; Matsya, the first avatar of Vishnu, rises from the waters to vanquish the demon Shankhasura emerging from a conch, four men seated on a lotus symbolizing t...
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MATSYA AVATAR, THE FISH INCARNATION OF VISHNU, ARISING FROM THE WATERS TO KILL A CONCH DEMON, SURROUNDED BY A GROUP OF DEVOTEES
CHAMBA, CIRCA 1730
Gouache and gold on paper,
The ruling family of Chamba, according to tradition, were directly descended from Vishnu through Rama. Hence miniatur...
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Water-colour of a ruined palace and temple at Vijayanagar, dated 1800. Inscribed on front in ink: 'Sketch of the Ancient Palace & one of the Pagodas at Alputtun. December 1800'; in pencil: 'Copied. Mar. 1816.'
Water-colour painting of the view from the fort of Pratapgarh by William Carpenter(1818-1899) in 1850. The image is inscribed: 'The Ghats Mahableshwur seen from the fortress of Pertabghur Nvr/50' which is repeated on reverse.
Kamoda Ragini, Page from a Ragamala Series
Opaque watercolor on paper
ca. 1605-1610
Mughal style, Subimperial
Indian Paintings of Musical Themes
The most prevalent form of classical music in northern India is the raga. A raga is not a composed piece of music but an established set of tonal, rh...
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Kedar Ragini
Folio from a ragamala series (Garland of Musical Modes),ca. 1690–95
Painted by Ruknuddin
India (Bikaner, Rajasthan)
The artist Ruknuddin has combined creatively a number of ragamala texts to make this evocative masterpiece. Following artistic precedent and the texts, he shows an a...
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Vasant Ragini, Page from a Ragamala Series (Garland of Musical Modes),early 17th century
India (Rajasthan, Amber)
Vasant (spring) is evoked here by the dancing nobleman playing the role of Krishna in celebration of the coming of spring, witnessed by the flowering plants in the foreground, the fl...
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The Great Imambara of Asaf al-Daula, Lucknow - 1795
Watercolour of the Great Imambara of Asaf al-Daula, Lucknow, part of the Hyde collection by an anonymous artist working in the Murshidabad style in c. 1790-1800. Inscribed on the back in pencil and ink: 'Emaumbarree at Lucknow.'
Image:
The Great Temple of Jagannath and procession, Puri in Orissa) - 1820
Pencil drawing of the procession at the Great Temple of Jagannatha at Puri in Orissa, part of the MacKenzie Collection, dated September 1820. Inscribed on front in ink: 'View of the Temple & Procession at Pooree, Septr, ...
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