Painting, in opaque watercolour and gold on paper,illustration to the Razm-nama (a Persian translation of the Mahabharata), the last hours of Bhisma. He lies on a bed of arrows discoursing to Yudhisthira.
Artist: 'Ali, Husain
Painted in opaque watercolour and gold on paper
Winged Shaivite? figure riding composite bull, opaque watercolour and gold on paper, Murshidabad, ca. 1760
Painting, in opaque watercolour and gold on paper, a Shaivite figure with angel's wings and pale white skin, with a cobra entwined on either arm, riding a composite bull, made up of hares, ...
Plate 22 from the second set of Thomas and William Daniell's 'Oriental Scenery'. The Brihadishvara Temple at Thanjavur is the greatest temple of the Chola period. It was patronised by Rajaraja I around AD 1000-10. The pavilion represented in the print was ...
Garuda, the 'vahana' of Vishnu, returning with the vase of Amrita, which he had stolen from the gods in order to free his mother from Kadru, mother of serpents. The 'vahana' is the animal mount or vehicle of a Hindu god or goddess.
ca. 1820 - ca. 1825
Gouache on watermarked pa...
The shrine of Vishnu in the form of Viraraghavaswami, reclining on the serpent of eternity, the form in which he is worhipped at the shrine of Tiravallur in Chingleput district. To the right stands Lakshmi and to the left a Vaishnava priest.
ca. 1820 - ca. 1825
Gouache on wate...
Gouache on watermarked paper
Trichinopoly, ca. 1825
Vishnu as Vaikuntha-natha seated on the coils of the serpent Sesha between his two shaktis, Shri and Bhumi Devi; a third, Nila Devi, supports his right foot. From a series of 100 drawings of Hindu deities created in South India...
Mother Mary and Child Christ
Mid 18th century, late Mughal, Muhammad Shah period
A masterpiece on a widely different theme foreign to Indian painters, the miniature represents mother Mary with child Jesus in her lap and a number of persons around. They include a bearded tall male in long saffron...
‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the East India Company. They represent a fusion of traditiona...
‘Company paintings' were produced by Indian artists for Europeans living and working in the Indian subcontinent, especially British employees of the East India Company. They represent a fusio...