This is plate 19 from James Fergusson's 'Ancient Architecture in Hindoostan'. Chidambaram is the sacred spot where Shiva, in the form of Nataraja, danced his powerful cosmic dance. It has been a place of pilgrimage in Tamil Nadu since about the n...
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Drawing by F. Swain Ward in c.1762 of the temple at Chidambaram in Tamil Nadu, part of King George III's Topographical Collection. The town of Chidambaram is a famed religious and artistic centre in south India. The temple here is dedicated to Shiva in ...
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Pen-and-ink and water-colour drawing of the mausoleum of Rabi'a Daurani at Aurangabad by Colin MacKenzie (1754-1821) in 1816. Inscribed on the front in ink is: 'Mausoleum of Rabeea Dooranny, wife of the Emperor Aurunzebe at Aurangabad.'
Gateway to the Taj Mahal, Agra, Uttar Pradesh. Coloured aquatint by Thomas Daniell, 1796.
By: Thomas Daniell
Published: Published as the act directs for Tho[ma]s Daniell by Rob[er]t Bowyer,London (Historic Gallery Pall Mall) : July 1796
Wash drawing of Palani by an unknown artist, January 1784. Inscribed on the front in ink is: 'View of Pallynee or Pynee, a Hill Pagoda of note in the Country of Daraporam with a distant view of the Southern Mountains. Jany 1784'; ditto in ink and: '...
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The waterfall at Courtallum in the Tinnevelly district - 1804
Plate 3 from the fourth set of Thomas and William Daniell's 'Oriental Scenery,' which they called 'Twenty-four Landscapes.' The views progress northwards from the far south at Cape Comorin to Srinagar in Garhwal in the Himalaya moun...
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Ellora: Kailasa rock temple panel from the south side of the shrine (left), Door in the third storey in the south side of the court in Kailasa (right) - 1876
Illustrations of a panel and doorway from Kailasanatha [Kailasa] Temple, cave XVI at Ellora from James Burgess' 'Original Drawings [of] ...
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'Jagannatha Sabha, Indra Sabha'. Engravings by Thomas Daniell after James Wales from (Plans of) Hindoo Excavations in the mountain of Ellora, published Thomas Daniell, London, 1803
Ellora is well-known for its series of Hindu, Buddhist and Jain cave temples excavated into the rocky façade of a...
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Plate 4 of 'Hindoo Excavations in the Mountain of Ellora near Aurangabad,' engraved by Thomas Daniell after the drawings of his deceased friend James Wales, which Daniell regarded as the sixth set of his 'Oriental Scenery.' Jagannatha Sabha is one of a group of five Jai...
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Watercolour with pen and ink of the taming of a wild elephant in a large wooden arena at Amarapura from 'A Series of Views in Burmah taken during Major Phayre’s Mission to the Court of Ava in 1855' by Colesworthy Grant. This album consists of 1...
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This chromolithograph is taken from plate 31 of William Simpson's 'India: Ancient and Modern'. The royal elephants of the Maharaja Holkar are being prepared for a ceremonial ride by their mahouts or handlers. They are caparisoned with rich ha...
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Watercolour drawing by John Frederick Lester of Palitana in Gujarat, from Album with laid down watercolours made between 1865 and 1877 in Kathiawar, Bombay, Poona, Mahabaleshwar and Savantvadi State, dated 1865-1877.
Above the plain around the town of Palitana rises Sa...
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Plate 24 from the second set of Thomas and William Daniell's 'Oriental Scenery'. The Brihadishvara Temple of Thanjavur was patronised by Rajaraja I of the Chola dynasty around AD 1000-10 and is one of the greatest architectural achievements of South India. The t...
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North View of the Great Pagoda and Tank at Tanjore'. Coloured aquatint by J. Wells after a drawing by Capt. Trapaud - 1788.
Coloured aquatint by J. Wells after a drawing by Capt. Trapaud, of the Brihadishvara Temple and tank at Thanjore, dated 1788.
The great Brihadishvara Temple represents t...
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ROBERT MELVILLE GRINDLAY (1786-1877) was that peculiarly English product, the gifted amateur. He was born at St. Mary-le-Bone, then a village near London and, to put the event into historical perspective, it occurred two years after the passing of Pitt's India Act and two years before Warren Hast...
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Illuminations and fireworks round Mr. Donnithorne's Park - 1815
Watercolour of illuminations at Fatehgarh from 'Views by Seeta Ram from Agra to Barrackpore Vol. X' produced for Lord Moira, afterwards the Marquess of Hastings, by Sita Ram between 1814-15. Marquess of Hastings, the Governor-Gene...
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View on the Ganges with a large monastic building above a ghat and a small mosque beyond, with Hindu flag poles amongst the trees - 1795.
Watercolour of a view on the river Ganges, by an anonymous artist working in the Murshidabad style, part of the Hyde Collection, c. 1790-1800. Inscribed on ...
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