The east side of the Royal Palaces in the Fort at Delhi is shown on the far side of the river, with a boat full of people in the middle of the river and three figures on the near bank - 1836
This Company Painting (a painting made by an Indian artist for the British) depicts the east side of th...
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A view of the Jami Masjid in Delhi, seen from the side of an adjoining house. Rooftop in foreground. Street and steps leading up to the mosque in the centre. Houses to left and right - 1840
Artist : Mazhar Ali Khan
This Company painting shows a view of the Jami Masjid in Delhi. This is India's ...
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The British Army encamped below the rock of Sholingarh - 28 September 1781
Water-colour painting of the British Army encamped below the rock of Sholinghur (Tamil Nadu) by Samuel Davis (1756/7-1819), 28 September 1781. Inscribed on the front in ink is: 'The Rock and Pagoda of Sholanghur with pa...
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Tipu's legend lives on
By Mini Pant Zachariah
Thu Hindu - November 4, 2010
More than two centuries after his death, Tipu Sultan's possessions continue to lure art lovers and historians. Rare paintings depicting the battle of Pollilur, and a finial of his throne, recently rediscovered, were in th...
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View of the Central Hall from the courtyard photographed by John Edward Saché (1870s). Nawab Asaf ud-Daula of Awadh (r.1775-97), requested architect Kifayat-ullah to construct the Great Imambara in 1784 , for the purpose of celebrating the Muslim festival of Muharr...
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The Muharram Festival. Asaf al-Daula, Nawab of Oudh, listening at night to the maulvi reading from the scriptures - 1795
Watercolour of the Muharram Festival, part of the Hyde collection, by an unknown artist working in the Murshidabad style, c. 1795. Inscribed on the back in pencil: 'The Nubob ...
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Gouache painting on paper. Śiva is leaning against a bolster on a terrace and is accompanied by Pārvatī. Her tiger mount and Nandi, Śiva's mount, are positioned on either side. Gaṇeśa holds a fly-whisk in his trunk - 1800.
Gouache painting on paper. The month of March (Caitra) from a Baramasa series. Krishna and Radha are seated on a terrace surrounded by a lush garden. A Sanskrit verse written in Devanagari along the upper border of the painting describes the scene - 1800.
A carriage with three outriders approaching Barrackpore House - 1810
Wash drawing of a carriage with three outriders approaching Barrackpore House at Barakpur near Calcutta in West Bengal, by William Daniell (1769-1837), c. 1810. Inscribed on the front in ink: 'W.' 'Daniell.'
A Mahomedan of distinction with a Dervish on his Pilgrimage - 1813
Plate nineteen from the first volume of James Forbes' "Oriental Memoirs", a work based on copious notes and drawings made during his travels in India between the 1760s-70s. Forbes(1749-1819)spent most of his working life in Weste...
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Photograph from an album of 80 albumen prints taken by Eugene Clutterbuck Impey. Bundi, near Mewar in Rajasthan, is shielded by the jagged hills of the Vindhya range. It was the capital of the Hara Chauhan clan of Rajputs (who took the title of 'Rao'), and who...
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Landscape near Marinalli (Mysore); a tank and mountains in the distance, a load-rest in the foreground - 3 March 1799
Water-colour painting of a landscape near Marinalli with a tank and mountains in the distance and a load-rest in the foreground by Elisha Trapaud (1750-1828), dated 3 March 179...
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New Book :
Photos Of The Gods: The Printed Image And Political Struggle In India
By Chris Pinney
Publisher: Reaktion Books - 2004
Book Summary :
Mass-produced images have long been produced and used in India by religious and nationalist movements - the emergence of Indian-run chromolithograph pr...
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Watercolour of the bath chambers at Agra palace from 'Views by Seeta Ram from Agra to Barrackpore Vol. X' produced for Lord Moira, afterwards the Marquess of Hastings, by Sita Ram between 1814-15. Marquess of Hastings, the Governor-General of Bengal...
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Art Review :
Indian Modernism via an Eclectic and Elusive Artist
By Holland Cotter
New York Times, August 19, 2008
..."In India the emergency was a bruising colonialism that had become as intolerable to artists as to everyone else. From the official British perspective, India had no living art....
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Watercolour by William Carpenter (1818-1899) of Thane in Maharashtra, dated 6th January 1851. The image is inscribed on the reverse: 'Tanna Bunder. Shahpoor in the distance. Jany. 6th 1851'. Thana near Bombay was the capital of a kingdom in the thi...
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Cheetas sent by the King of Oude to accompany the Governor General - 1844
This lithograph is taken from plate 15 of Emily Eden's 'Portraits of the Princes and People of India.' Eden wrote: "These are Hunting Leopards of the King of Oude's [Nawab of Avadh] Establishment, which were sent to acco...
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Water-colour painting of a view in Pune (Poona) by John Frederick Lester (1825-1915) dated 9th October 1871. This image is from an album of water-colours made between 1865 and 1877 in Kathiawar, Bombay, Poona, Mahabaleshwar and Savantvadi State....
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A sketch in the suburbs of the city of Poona - 1871
Water-colour painting of a part of the city of Pune (Poona) by John Frederick Lester (1825-1915) dated September 1871. This is from an album of 30 folios with laid down water-colours made... between 1865 and 1877 in Kathiawar, Bombay, Poona, Ma...
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To mark Ramzan, the Chhatrapati Shivaji Muslim Brigade will promote his image as close to all communities, distribute copies of a painting of him with Muslim sardars
By Siddharth Gadkari - Pune Mirror - 2 August 2011
As Muslims in the city get ready for the holy month of Ramz...
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The Chishty order, the oldest Sufi brotherhood in India, founded in the early thirteenth century. In the allegorical painting on the left, from about 1615, the emperor Jahangir visits with the head of the Chisty order, Shaikh Husain Ajmeri, while the Ottoman sultan, King James I of England, and t...
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