One of a pair of bangles, Madras, India, about 1870
Gold and gilt metal set with rubies. Each bangle has a flat gold band, engraved, with two flat square plates arranged on the top lozenge-wise; on each of these plates is a bird, and between the plates rises an expanded flower, set with rubies...
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New Book:
Princes and Painters in Mughal Delhi, 1707-1857
By William Dalrymple (Editor), Yuthika Sharma (Editor)
Publisher: Yale University Press - 2012
At the peak of their power, from the mid-16th century through 1857, the Mughals ruled over some 100 million subjects — five times the num...
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Five Recruits: Ummee Chund, Indur, Goolzaree, Bukhtawur and Juhaz - ca. 1815-1816
Watercolor on paper
H: 27.0 W: 39.0 cm
India
This is a painting of five men recruited by William Fraser (1784–1835), a political officer in the East India Company responsible for recruiting and maintaining an irr...
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"Rosette Bearing the Names and Titles of Shah Jahan", Folio from the Shah Jahan Album - 1645 AD
A shamsa (literally, sun) traditionally opened imperial Mughal albums. Worked in bright colors and several tones of gold, the meticulously designed and painted arabesques are e...
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The Sougandhika Parinaya Manuscript (1821 CE)
By Jyotsna Kamat
Mummadi Krishnaraja Wodeyar had the longest reign among rulers of Mysore (1799 - 1868). He had varied interests in life -- music, painting, literature -- each of which he loved and tried his hand in. He spent liberally on promotion o...
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Shah Jahan receiving artists or scholars. (c.1650)
From an album of Indian paintings, chiefly from the Shahjahan period (1628-1658), expressive of the Mughal lineage of Shahjahan; with 37 calligraphic specimens by Mīr Alī-alkātib, dated 1530 (A.H. 937) on fol. 55a ; and 9 leaves of text, fols....
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Bahadur Shah I was the Mughal emperor from 1707-1712. In this painting, dating probably to about 1712, he is depicted by the unknown artist in a way that differs considerably from that in which Mughal portrait subjects had hitherto been shown, and which relates more to European ...
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Close-up view of Mr. Donnithorne's Bungalow - 1815
Watercolour of Mr. Donnithorne's bungalow from 'Views by Seeta Ram from Agra to Barrackpore Vol. X' produced for Lord Moira, afterwards the Marquess of Hastings, by Sita Ram between 1814-15. Marquess of Hastings, the Governor-General of Bengal...
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A well-dressed noble youth sits at ease on a rock by a small brook under a tree listening to a kneeling man who is singing from a book. The youth is dressed in a vibrant plain orange jama with golden lappets decorated in a crimson running pattern under his ...
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A night scene with a kneeling lady with two female attendants visiting a hermit seated in front of a cave in a wooded landscape under a starry sky and crescent moon. In the immediate foreground is a stretch of water with three pairs of diminutive birds at its edge. Above this the group of three f...
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PORTRAIT OF A SAYYED (DESCENDANT OF THE PROPHET MUHAMMAD)
Gouache and gold on paper
Bijapur, Deccan
c. 1650
An inscription on the back of the painting dated 1691 records it as having been in the Treasury at Adoni in the Deccan, near Kurnool, perhaps reflecting the dispersal of its conten...
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Watercolour with pen and ink of the “Lord White Elephant”, a rare and auspicious white elephant kept by the King at Amarapura from 'A Series of Views in Burmah taken during Major Phayre’s Mission to the Court of Ava in 1855' by Colesworthy Grant. This album con...
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The White Elephant Palace, within Royal Palace Grounds - 1855
Watercolour with pen and ink of the ceremonial pavilion in the Palace occupied by a rare and auspicious white elephant kept by the King from 'A Series of Views in Burmah taken during Major Phayre’s Mission to the Court of Ava in 185...
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Opaque watercolour on paper, group of Rajput nobles, posssibly Raja Ajit SIngh (1678-1725) of Jodhpur with his sons and grandsons, Jodhpur, c. 1725.
The uncluttered lines and earthy colours of this painting are typical of western Rajasthan, especially Jodhpur, in the early 18th century. It has...
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