Posted on: 9 November 2012

New Book:
Salabhanjika in Art Philosophy and Literature
By U.N.Roy
Published by Indian Press, Allahabad - 1979

Salabhanjika refers to the sculpture of a woman, displaying stylized feminine features, standing near a tree and grasping a branch.[1] The name of these figures comes from the Sanskrit śālabañjika meaning 'breaking a branch of a sala tree'. They are also known as madanakai, madanika or shilabalika.

The salabhanjika is a standard decorative element of Indian sculpture, a graceful stone sculpture representing a young female under a stylized tree in various poses, such as dancing, grooming herself or playing a musical instrument. The salabhanjika's female features, like breasts and hips, are often exaggerated. Frequently these sculpted figures display complex hairdos and an abundance of jewelry.

The salabhanjika concept stems from ancient symbolism linking a chaste maiden with the sala tree or the asoka tree through the ritual called dohada, or the fertilisation of plants through contact with a young woman. The symbolism changed over the course of time and the salabhanjika became figures used as ornamental carvings, usually located in the area where worshipers engage in circumambulation, near the garbhagriha of many Hindu temples.[2] Placed at an angle, salabhanjika figures also were used in temple architecture as a bracket figures.

Salabhanjikas are also often mentioned in ancient and modern Indian poetry, like in the Malayalam verses:

Salabanjikakal kaikalil kusumathala menthi varavelkkum

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Remembering what I Studied about the one famous figure of SALABHANJIKA of SANCHI STUPA in school history books.The one female figure in SANCHI STUPA has been interpreted in diverse ways by various art historians.some have referred to it as a YAKSHI,some as a treewoman or VRIKSHATEE,some as AMAYANI,some as SALABHANJIKA and some as DRYAD ( wooden nymph of Greejk mythology ).