Posted on: 19 October 2012

Digital Rare Book:
Durga Puja - With Notes and Illustrations
By Pratapchandra Ghosha
Printed at The Hindu Patriot Press, Varanasi - 1871

Read Book Online:

http://bit.ly/PGurJB

Download pdf Book:

http://bit.ly/PfmlYj


Image:
Goddess Durga slaying Mahishasura
Calcutta, 1860

Kalighat 'pata' of the Hindu goddess Durga, depicted here as the 'Mahishasuramardini'. The central figure of the 'pata' is the ten-armed form of the goddess Devi or Shakti, standing on her vehicle, the lion and is slaying the buffalo demon. The goddess is shown as holding a weapon in each of her hand. On the left hand side of the 'pata' are the elephant-headed god Ganesh seated on a lotus and Lakshmi, the goddess of wealth standing on a lotus. On the other side are Karttik (Karttikeya) seated on his vehicle, the peacock and Saraswati, the goddess of knowledge and music also standing on a lotus. Here Karttik (Karttikeya) has been depicted as a contemporary dandy wearing a coiled headgear and representing the idea of spirit and youth. Mahishasura has emerged from the buffalo and is being attacked by the lion. The semi-circular frieze or 'pata' or 'chalchitra', forming the background includes various mythological scenes. On the frieze Shiva has been positioned immediately above the goddess, being her husband. The semi-circular frieze supported by columns represent neo-classical architectural elements which were popular features of the period in Bengal.

This particular layout of the shrine, known as 'chalchitra' is very popular in Bengal. Larger versions of the shrine are common across Bengal and also used by Hindu Bengalis elsewhere to perform annual worship rites during the autumn. The paintings of the shrine similar to the subject are often for private worshipping or for decorative purposes.

Copyright: © V&A Images


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Is it Kalighat?? it is a beauty!!!

Kalighat?

very beautiful Art.

This is an excellent Kalighat painting, dates from mid to late 19th century, Calcutta at Kalighat temple. This art form, surprisingly, was a 'bazaar' form- and painted not for rich patrons- but instead for the many pilgrims visiting the Kalighat temple. The painters were often referred to as 'patuas'. Somewhere down the line, this art form has found its place in the history of art in Bengal, an famously influenced the work of Jamini Roy. We are happy to be able to offer Kalighat paintings ourselves to interested collectors and connoisseurs: http://www.facebook.com/photo.php?fbid=270307776421540&set=a.268325173286467.61575.268109183308066&type=3&theater The example on offer on our website dates to c1880 and is a fine depiction of the Goddess Gajalakshmi.

For those interested in seeing other examples, the Victoria and Albert Museum, London has one of the world's largest and finest collections of Kalighat paintings. These images can also be seen online.

There was an excellent show of Kalighat paintings at Prince of Wales Museum Bombay a few months ago!!

Beautiful, a rare find !

Superb !

The lion is ...rather like a horse.In Bengal tigers were familiar to artists but not lions....hence the strange representation.The same was true for Kartik's vahan...the peacock.That bird was a rarity...hence poetic licence in its representation.

Can't download it from India, get a message saying "google play is not available in your country..." Could you possibly upload the pdf on scribd.com or someplace?

yes.... kalighat school of painting.

Incredible !!!