Posted on: 8 February 2012

Digital Rare Book:
History of Burma - Including Burma proper, Pegu, Taungu, Tenasserim, and Arakan : From the earliest time to the end of the first war with British India.
By Sir Arthur Purves Phayre
Published by Trubner & co., London - 1883

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Image:
Burmese Elephant Taming painted in gouache with partial gilding on prepared cotton cloth.Bird's eye view episodic treatment of the subject. It confirms contemporary accounts of such spectacles at the Court of Ava during the latter part of the Konbaung Dynasty (1752-1885). ca. late 19th century.
Source: V&A, London


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Read Book Online: http://bit.ly/wT0ufc

Download pdf Book: http://bit.ly/AtZ7jg

Image details: Burmese Elephant Taming painted in gouache with partial gilding on prepared cotton cloth.Bird's eye view episodic treatment of the subject. It confirms contemporary accounts of such spectacles at the Court of Ava during the latter part of the Konbaung Dynasty (1752-1885). ca. late 19th century. The painting accurately illustrates an exhibition of elephant taming at the Court of Ava (Mandalay) during the latter part of the Konbaung Dynasty (1752-1885), a traditional practice which had existed since at least the 15th century. The scene also includes depictions of many other courtly pursuits. At the top of the picture, a king and queen are seen in the royal pavilion attended by their ministers. In the centre is an enclosure consisting of a brick wall, with a balcony running all the way round at the top, supported by timber columns. At the centre of this enclosure is another pavilion protected by a timber fence. Spectators are seated all around the top, on the balcony and inside the arcade formed by timber supports, watching a wild elephant being baited by several men inside the enclosure. At top left a pwe (a theatrical performance) is taking place, with an orchestra featuring Burmese instruments, including the patt waing (drum circle), kyi waing (gong circle) and pat-ma (suspended base drum). At top right a pony race takes place within a corner of the moated palace (Mandalay) compound with one of the entrances. Provincial rulers on elephants and horseback followed by attendants carrying their regalia process on the right and left of the picture. A group of royal cavalry on the lower left are distinguished by their uniforms and horses livery. And, at the bottom of the picture, female elephants and their calves are being driven towards the entrance to the enclosure by tame elephants with their mahouts. Figures are portrayed in costumes of the period--the women in trailing hta-meins, the men in pah-soes worn either as a type of sarong or drawn up to form pantaloons, revealing the tattooing which Burmese men underwent as a form of talisman against evil. Source: V&A, London

in those palace ,s museums I saw the most wondeful treasures.. would like to return there one day and take more time to admire those uniques tresures ..chef d'oeuvres !!! I had even the chance to sleep in MYSORE in a palace now transform a part in hotel !