Posted on: 27 January 2012

Krishna's combat with Indra, opaque watercolour and gold on paper, Mughal, India, ca.1585-90.

The battle between Krishna and Indra is shown to be taking place in the sky above a landscape strongly influenced by European painting. Gods and celestial beings hover in the billowing clouds. Krishna swoops down on his bird Garuda to attack Indra on his white elephant.

The Harivamsa ,"Genealogy of Hari" was a continuation of the great Sanskrit text, the Mahabharata. The Mughal emperor Akbar ordered it to be translated into Persian so that it could be read by non-Hindus. In this illustration to the text done in about 1590, Krishna sweeps down on the bird Garuda to triumph over Indra, the lord of the gods, riding on the white elephant Airavata, watched by gods and celestial beings. The swirling fabrics, billowing clouds, and the boat in the lower part of the scene, are all the result of the influence on Mughal court artists of European paintings. The original manuscript was dispersed and some pages were remounted for later albums, as here. The borders were probably added in Lucknow in the 18th century.

Source: V&A, London


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Why did Krishna fight Indra?

Shekhar Sathe: This particluar battle between Krishna and Indra is narrated in this book... Krishna-Cult in Indian Art By Sunil Kumar Bhattacharya http://bit.ly/yXzHg1

Thanks. Amazing. It is difficult for us to all the time reminding ourselves that our myths have many versions and the historicity of the mythical figures gets mixed in long centuries of the distant past. I was amazed to find (in the book) that Radha - a figure so well known to us in modern times, is not even mentioned in the bhagwat purana and that Krishna of today may be a hodge-podge of many Krishnas of the past. Krishna is not mentioned in the Rigveda at all where Indra makes numerous appearances. The subject matter of the painting is representative of the conflict between the people of vedic culture and others. When stories are retold, they get modified in every new version to reflect the beliefs of the modifiers.

The very reason why its futile and foolish to fight for 'them'! : )