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Image : Dancing Celestial India (Uttar Pradesh), early 12th century Sandstone The contours and richly ornamented surfaces of this celestial attendant to the gods exemplify a stylistic shift away from earlier Gupta-influenced forms. Here the linear play of surface decoration and dramatic contours replace the earlier emphasis on seamless volume and subtle balance. The sculptor has twisted the figure into an extraordinary pose that captures the essence of her dance and seems absolutely believable until one imagines actually trying to turn this way. The jewelry sways and emphasizes her movements, both in the way the necklaces and sashes follow the curves of her body and in the upward thrust of the spiked tips of her crown. The crisp carving of her adornments makes a pleasing contrast with the smooth and rounded surfaces of her flesh. Images of dancing semidivine attendants often appear on the outer walls of Hindu temples. They are placed near the figures of gods to honor the deity, just as actual female dancers honored the gods images within the temple. Promised Gift of Florence and Herbert Irving. Source : Metropolitan Museum of Art, NY

beautiful!

-----The sculptor has twisted the figure into an extraordinary pose that captures the essence of her dance and seems absolutely believable until one imagines actually trying to turn this way.------- Well described--The facial features also need a few words of admiration and appreciation, the eye brows ,the almond shaped eyes,the chiseled nose, the lips ,the chin and the cheeks and a smile, the overall facial expression ? all are adoreable- A MASTERPIECE WITHOUT DOUBT.

really beautiful almost marvelous