Posted on: 27 March 2017

Essay:
Yogic Identities: Tradition and Transformation
By James Mallinson

The earliest textual descriptions of yogic techniques date to the last few centuries BCE and show their practitioners to have been ascetics who had turned their backs on ordinary society. These renouncers have been considered practitioners of yoga par excellence throughout Indian history. While ascetics, including some seated in meditative yoga postures, have been represented in Indian statuary since that early period, the first detailed depictions of Indian ascetics are not found until circa 1560 in paintings produced under the patronage of Mughal Emperor Akbar (reigned 1556–1605) and his successors. These wonderfully naturalistic and precise images illuminate not only Mughal manuscripts and albums but also our understanding of the history of yogis and their sects. Scholars have argued for these paintings’ value as historical documents; their usefulness in establishing the history of Indian ascetic orders bears this out. The consistency of their depictions and the astonishing detail they reveal allow us to flesh out—and, sometimes, rewrite—the incomplete and partisan history that can be surmised from Sanskrit and vernacular texts, travelers’ reports, hagiography, and ethnography.

The Two Yogi Traditions: Ascetic Sa?ny?s?s and Tantric N?ths:

The eleventh to the fifteenth centuries saw the composition of a corpus of Sanskrit works that teach the ha?ha method of yoga, which places the greatest emphasis on physical practices.9 The techniques of ha?ha yoga—some of which were probably part of ascetic practice for more than a thousand years before they were taught in texts—became integral to subsequent formulations of yoga, including orthodox ones such as those found in the later “Yoga Upani?ads.” They form the basis of much of the yoga practiced around the world today.

Within the texts of the ha?ha yoga corpus, we can identify two yogic paradigms. One, the older, is the tradition of the yogis described in our earliest sources and is linked to the physical practices of tapas—asceticism. It uses a variety of physical methods to control the breath and to arrest the downward flow and loss of semen, which is said to be the essence of life. Control of breath and semen leads to control of the mind, as well as perfect health and longevity. In classical formulations of ha?hayoga—such as that found in the most influential text on the subject, the fifteenth-century Ha?haprad?pik?—a second paradigm, that of Tantric yoga, is superimposed onto this ancient ascetic method. As taught in its root texts, which were composed between the fifth and tenth centuries CE, Tantric yoga consists for the most part of meditations on a series of progressively more subtle elements, a progression represented in some Kaula Tantric texts from the tenth century onward by the visualization of the ascent of the serpent goddess Ku??alin? through a series of wheels (cakras) or lotuses (padmas) located along the body’s central column.

The ultimate goal of both of these yogic paradigms is liberation (mok?a), which can be achieved while alive. Along the way various supernatural abilities or siddhis are said to arise, ranging from mundane benefits such as overcoming hunger and thirst through the power of flight to the attainment of an immortal body. In the ancient ascetic tradition, these siddhis are ultimately impediments to the final goal; in the Tantric tradition, they may be ends in themselves.

Read more:

http://s.si.edu/2nU1GiL


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Am very sceptical about your claims that visual detailed descriptions were only reproduced thanks to the Mughal Akbar . Perhaps more research is necessary .

Kapalik Sanyasi practice of sitting under the sun surrounded by fires practice living around a smoldering - 'Dhuni' - on head.

Wonderful, this piece.

Jena kadavul