A lady prays in a Shiva shrine - 1770
Ragamala Paintings are a series of illustrative paintings from medieval India based on Ragamala or the "Garland of Ragas", depicting various Indian musical modes called Ragas. They stand as a classical example of the amalgamation of art...
Opaque watercolour painting of the red-complexioned, four-armed and magnificently attired Sūrya. He stands in samabhanga on a low dais at the centre of an oval frame. He carries in each of his upper hands a dagger, while his lower right hand is in abhaya and his lower left in varada mudra...
Colour lithograph, lettered, inscribed and numbered 4 depicting a scene from the Mahabharata. Bhisma is lying on a bed of arrows with Arjuna standing next to him with bow drawn and pointed at earth to bring out water for Bhisma, who is pierced by numerous arrows.
Painting illustrating the death of Kṛṣṇa and the Pandavas visiting the dying Bhishma from the epic Razmnameh. Originally from manuscript Bhishma lies in the centre of the scene surrounded immediately by kneeling attendants, while warriors and horsemen stand in the near distance amidst a roc...
Painting, in opaque watercolour and gold on paper,illustration to the Razm-nama (a Persian translation of the Mahabharata), the last hours of Bhisma. He lies on a bed of arrows discoursing to Yudhisthira.
Artist: 'Ali, Husain
Painted in opaque watercolour and gold on paper
When Did We First Celebrate Makar Sankranti?
By Raj Vedam
Swarajya - Jan 13, 2017
The widespread celebration of the Makar Sankranti festival and its many regional variations hint great antiquity. In this article, we will take a journey through time, weaving together history, astronomy, c...
Winged Shaivite? figure riding composite bull, opaque watercolour and gold on paper, Murshidabad, ca. 1760
Painting, in opaque watercolour and gold on paper, a Shaivite figure with angel's wings and pale white skin, with a cobra entwined on either arm, riding a composite bull, made up of hares, ...
Photograph from the Elgin Collection: 'Autumn Tour 1895. Vol II' of the pavilion with the monolithic bull Nandi in the Brihadishvara Temple complex at Thanjavur, taken by Nicholas and Company in the 1890s. The Brihadishvara Temple built by the Chola ki...
Garuda, the 'vahana' of Vishnu, returning with the vase of Amrita, which he had stolen from the gods in order to free his mother from Kadru, mother of serpents. The 'vahana' is the animal mount or vehicle of a Hindu god or goddess.
ca. 1820 - ca. 1825
Gouache on watermarked pa...