Holi festival, Musrshidabad or Calcutta, ca. 1795 - ca. 1805.
The Holi festival : men daubed with red powder proceed, dancing, singing and drumming towards a tank. In the centre, a man is being carried on a litter. Bystanders include ascetics and sweetmeat sellers. One of nine drawings depicting...
KRISHNA AND RADHA CELEBRATING HOLI
Opaque watercolour and gold on paper
Krishna is an incarnation of the god Vishnu. He is shown with Radha, the beloved of his youth, and other gopis or young cowherd women. Four cowherd boys complete the crowd. In celebration of the Holi sprin...
A lady prays in a Shiva shrine - 1770
Ragamala Paintings are a series of illustrative paintings from medieval India based on Ragamala or the "Garland of Ragas", depicting various Indian musical modes called Ragas. They stand as a classical example of the amalgamation of art...
Colour lithograph, lettered, inscribed and numbered 4 depicting a scene from the Mahabharata. Bhisma is lying on a bed of arrows with Arjuna standing next to him with bow drawn and pointed at earth to bring out water for Bhisma, who is pierced by numerous arrows.
Painting illustrating the death of Kṛṣṇa and the Pandavas visiting the dying Bhishma from the epic Razmnameh. Originally from manuscript Bhishma lies in the centre of the scene surrounded immediately by kneeling attendants, while warriors and horsemen stand in the near distance amidst a roc...
Painting, in opaque watercolour and gold on paper,illustration to the Razm-nama (a Persian translation of the Mahabharata), the last hours of Bhisma. He lies on a bed of arrows discoursing to Yudhisthira.
Artist: 'Ali, Husain
Painted in opaque watercolour and gold on paper
Winged Shaivite? figure riding composite bull, opaque watercolour and gold on paper, Murshidabad, ca. 1760
Painting, in opaque watercolour and gold on paper, a Shaivite figure with angel's wings and pale white skin, with a cobra entwined on either arm, riding a composite bull, made up of hares, ...
Plate 22 from the second set of Thomas and William Daniell's 'Oriental Scenery'. The Brihadishvara Temple at Thanjavur is the greatest temple of the Chola period. It was patronised by Rajaraja I around AD 1000-10. The pavilion represented in the print was ...
Garuda, the 'vahana' of Vishnu, returning with the vase of Amrita, which he had stolen from the gods in order to free his mother from Kadru, mother of serpents. The 'vahana' is the animal mount or vehicle of a Hindu god or goddess.
ca. 1820 - ca. 1825
Gouache on watermarked pa...
The shrine of Vishnu in the form of Viraraghavaswami, reclining on the serpent of eternity, the form in which he is worhipped at the shrine of Tiravallur in Chingleput district. To the right stands Lakshmi and to the left a Vaishnava priest.
ca. 1820 - ca. 1825
Gouache on wate...